Paint is layered in the usual process of oil painting. In this first stage of “Roses,” the carefree placement of flowers is planned for good use of space; the board is already toned with a red-orange hue which, in the end, adds both unity and sparkle. Once I am satisfied with the arrangement and use of space, I start to block in large areas of the flower heads with deeper or darker color since it will serve as shadow area later. This is the second in a series of four similar paintings.